beat, n.8 c2012, by Grant Livesay

beat, n.8 c2012

by Grant Livesay

	/

1.	Noun 03:07	info
2.	Verb 02:54	info
3.	Adjective 03:39	info
4.	Adverb 01:17	info
5.	Person 03:19	info
6.	Place 02:25	info
7.	Thing 03:24	info
8.	Who 02:58	info
9.	What 01:27	info
10.	When 02:24	info
11.	Where 01:41	info
12.	Why 03:08	info
13.	How 02:10	info
14.	To What Extent? 03:03	info

about

Short, succinct, and an honest attempt at simple. Those are not typical descriptors of a Grant Livesay musical project, yet behold: a compilation of skeletons recorded from April 3rd to April 11th, 2012 in the basement of Huffman Dormitory on Wake Forest University Campus by Livesay himself as his first released, self-proclaimed "beat tape". Apparently and of course, he really dislikes the tape and mentioned that it was made out of "sheer apathy and the desire to just do something, anything - as if I were naked and didn't care how I was clothed". We hope you, regardless of his opinion, enjoy his latest musical foray.

credits

released April 13, 2012

Composed, recorded, mixed and mastered by Grant Livesay
Album cover designed by Laura J. Chin (DJ Air Launch), cover text by Grant Livesay

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about

polo road swag. Winston Salem, North Carolina

polo road swag. is, at its core, a tight knit family of currently north carolina artists of all forms and fashions, shapes, sizes, sentiments, and sexes. the group derives its name from a nearby street in winston salem, across from wake forest university. ... more

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A succinct, truly profound, refined album evolving constantly through nostalgic fields of post-hardcore and evocative planes of downtempo indie rock with simultaneously lissome and woebegone lyricism. polo road swag.
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